CfP: IPpS @ ICMS 2023

The International Pearl-poet Society is thrilled to be sponsoring and co-sponsoring a total of six sessions at the 2023 International Congress on Medieval Studies at Western Michigan University in Kalamazoo. The coming year’s ICMS will be a hybrid conference. In the interest of making our sessions as accessible as possible, we have chosen to make them fully virtual/online–this should help mitigate potential problems of logistics, timing, and costs.

Thanks to our valiant VP, Lisa Horton, for organising the sessions and preparing the CfP. Thanks also to our co-sponsoring organisations, the Medieval Association of the Midwest (MAM) and Tolkien at Kalamazoo.

All proposals are due 15 September 2022. Please see the instructions for submission below.

The sessions are as follows:

  1. “Check Your Privilege”: Microaggressions, Misogyny, and Mansplaining in the Pearl-Poet
    Recently, scholars who do not fit the white cishet male paradigm have been attacked on social media, at conferences, and in print. Because microaggressions, misogyny, and mansplaining all predate the modern era and occur regularly in medieval texts, it is important that we see how our past has create the dilemma that we’re in, but also how examination and dissemination of these texts can also push the conversation about this hate speech within the Ivory Tower and beyond. Papers in this session will examine the works of the Pearl-Poet for privilege and to examine the privilege of our own scholarship.
  2. Climate Change I: Social, Ecological, Political, and Spiritual Shifts in the Late Medieval World
    Climate change is progressing at an alarming rate, but doesn’t just have to do with the weather. As politics and culture become more polarized around the world, we are witnessing extreme changes to social, political, and spiritual shifts, as well as ecological. In this panel, the IPPS will explore how these same monumental shifts hit the late medieval world, as reflected in the art and culture that remains extant today. This panel will also examine how these shifts in late medieval thought can be both a warning and a hope to modern readers.

    (Please also see “Climate Change II: Social, Ecological, Political, and Spiritual Shifts in J. R. R. Tolkien and Medieval Poets,” co-organized by Tolkien at Kalamazoo and the Pearl-Poet Society.)

  3. Conspicuous Consumption: Feasting, Fighting, and Tomfoolery (with MAM)
    When lay audiences imagine the Middle Ages, they imagine gratuitous violence, overindulgent feasting, and a monolithic Church relentlessly punishing the weak. Nonetheless, there is something to be said for the excess and conspicuous consumption that often turns up in medieval literature. In this panel, we will look at how indulgence and gluttony are portrayed in medieval literary works: how the feasting, fighting, and tomfoolery indicate the values of a medieval audience, and why authors like the Pearl-Poet condemned such excess. This panel will also consider the dichotomy of church versus court, and class issues between the nobility and everyone else.
  4. The Game and the Poet: Metaconnections in the Cotton Nero A.x and St. Erkenwald
    A rich body of scholarship has emerged exploring the connections between games, medieval chivalry, theology, and the romance narrative. Our session will continue the study of games in Sir Gawain, and will extend the study of games to the other poems in the Cotton Nero A.x manuscript, and St. Erkenewald, as well as (re)imaginings of these narratives in metatexts like films and RPGs. With this metatextual approach, the session will explore play not only as represented within the texts’ narratives, but also in the creative acts of production and interpretation undertaken by both authors and readers over time.
  5. (Roundtable) “And they were Zoommates”: Teaching, Translating, and Technology—A Pearl-Poet Roundtable
    The International Pearl-Poet Society invites proposals for a pedagogy roundtable on presenting the works of the Poet in classroom settings. Papers might: consider some of the many translations and adaptations of the poems for non-specialist audiences (versions for younger readers, comics and graphic novels, films, and video games); engage how digitization and online tools generate interest in the material culture of books in the Middle Ages and today; or consider the poems’ strikingly relevant themes in this moment of growing public anxieties about classroom content–how can teaching these poems address concerns about politics, social justice, racial and ethnic difference?

All proposals must be made through the official ICMS portal. Here are some directions that should help with the process. To propose a paper for a session before the deadline on Thursday, September 15, please go to https://wmich.edu/medievalcongress/call

On this page you can click on “P” under Sponsored Sessions to be taken to the list of Pearl-Poet Society sessions. At “Pearl-Poet Society,” you’ll be reminded of the subject matter for each session.

British Library MS Cotton Nero A.x; f. 125/129v.

Pearl-poet Society at ICMS … 2021

UPDATE: With the cancellation of the 2020 International Congress on Medieval Studies due to the COVID-19 pandemic, the International Pearl-poet Society has taken the ICMS organisers’ invitation to re-submit this year’s panels for the 2021 Congress; all participants who were to present this year are automatically accepted for May 2021. We ask, however, that participants contact our VP, Ashley Bartelt, so that we know if we have any openings to fill during the summer proposal season.

(original post below)

===========================================================================

With the team at Western Michigan University posting the sneak preview of the schedule for the 55th International Congress on Medieval Studies, the International Pearl-poet Society is pleased to announce our line-up of six sponsored sessions for the 2020 gathering, including a co-sponsored session with the Medieval Association of the Midwest.

Always insightful, lively, and collegial, the Society’s sessions this year explore a wide range of topics, from the materiality of the Cotton Nero A.x manuscript to gender issues, the mystical tradition, and modern adoptions adaptations of Sir Gawain across several genres.

All our sessions are organised by the brilliant Ashley E. Bartelt (Northern Illinois University). A PDF of the info posted below is available here.

The Pearl-poet Society is looking forward to yet another exciting and thought-provoking year at Kalamazoo!

sirgawayne-tl

(Cotton Nero A.x, ff. 94v-95r)

Friday @ 3.30 PM (Session 270)

Bernhard 209

Form and Structure in MS Cotton Nero A.x. (A Roundtable)

Presider: Kimberly Jack, Athens State Univ.

‘More New Light on the Gawain-Manuscript: Multispectral Imaging and British Library MS Cotton Nero A.x.’

Murray McGillivray, Univ. of Calgary

‘Manicules and More: Scribal Ordinatio in British Library MS Cotton Nero A.x.’

Kenna L. Olsen, Mount Royal Univ.

‘“Wer I as hastif as Þou”: Protrepsis and Audience Identification in Patience

Caleb Molstad, Univ. of Minnesota–Twin Cities

 

Saturday @ 10.00 AM (Session 332)

Bernhard 210

Ain’t Misbehaving: Medieval English Women Doing Good Works by Nefarious Means

co-sponsored with Medieval Association of the Midwest (MAM)

co-organised with Mickey Sweeney

Presider: Alison Langdon, Western Kentucky Univ.

‘The Midwife in Lay Le Freine: The Misuse of Power for the Preservation of Souls’

Kimberly Tate Anderson, Wittenberg Univ.

‘Good Women, Bad Men: The Cost of Saving Souls’

Mickey Sweeney, Dominican Univ.

‘Malory’s Dame Brusen: Good or Evil?’

Katharine Mudd, Northern Illinois Univ.

 

Saturday @ 12.00 PM

Fetzer 1060

 International Pearl-poet Society Business Meeting

 

Saturday @ 1.30 PM (Session 408_

Schneider 1235

The Final Frontier: Embodied Space in the Works of the Pearl-poet

Presider: Matthew Boyd Goldie, Rider Univ.

‘What Happens on the Frontier . . . : Morgan LeFey, Feminist Outreach, and Agency in Sir Gawain and the Green Knight

Kara Larson Maloney, Canisius College

‘Dancing in Place: Sir Gawain and the Green Knight and Arthurian Dance Spaces’

Clint Morrison Jr., Ohio State Univ. (Karrer Travel Award Winner)

‘Penance, Labor, and the Land in Cleanness and Pearl

Rafael Jaime, Univ. of California–Los Angeles

 

Saturday @ 3.30PM (Session 459)

Schneider 1235

The Pearl-poet: Modern Connections, Adaptations, and Evolutions

Presider: Lisa M. Horton, Univ. of Minnesota–Duluth

‘Young Brightblade and the Green Knight: An Appropriation of the Pearl-Poet in Modern Fantasy Fiction’

Carl B. Sell, Oklahoma Panhandle State Univ.

‘Women’s Presence and Power in Children’s Versions of Sir Gawain and the Green Knight

Amber Dunai, Texas A&M Univ.–Central Texas

‘The Mysterious Affair at Camelot: Sir Gawain and the Green Knight and Whodunit Narrativity’

Celine Vezina, Yale Univ.

 

Sunday @ 8.30 AM (Session 485)

Bernhard 208

Acceptance and Resistance: Emotional Tension in the Pearl-poet

Presider: Amber Dunai, Texas A&M Univ.–Central Texas

‘“In a Stonen Statue Þat Salt Sauor Habbes”: Anger and the Lithic Body of Lot’s Wife in Cleanness

Christopher David Queen, Univ. of California–Riverside

‘Virtue and Activity in Patience

Joseph Turner, Univ. of Louisville

‘“Suffering Sele”: Jonah and the Worm’

Jo Nixon, Univ. of Chicago

‘Chivalric Performance and Hollow Faith: Gawain’s Three Confessions in Sir Gawain and the Green Knight

Elise Robbins, Purdue Univ.

 

Sunday @ 10.00 AM (Session 508)

Bernhard 208

“In aventure þer mervayles meven”: The Mystical Tradition in the Pearl-Poet and Analogues

Presider: Kristin Bovaird-Abbo, Univ. of Northern Colorado

‘The Pearl-Poet in the Platonic Mystical Tradition’

Matthew W. Brumit, Univ. of Mary

‘Teaching the Ineffable: Mysticism and Instruction in the Pearl-Poems’

Rachel A. Shunk, Univ. of Dallas

‘“Hit is to dere a date”: Mystical Language and Its Limits in Pearl

André Babyn, Univ. of Toronto

Respondent: Ann F. Brodeur, Univ. of Mary

 

 

CfP: Int’l Pearl-poet Societ @ ICMS 2020

The International Pearl-poet Society once again has a strong presence at the International Congress on Medieval Studies, with five sponsored sessions at the 2020 gathering at Western Michigan University in Kalamazoo. We’re also proud to once again be co-sponsoring a session with the Medieval Association of the Midwest (MAM).

Thanks to our new VP, Ashley Bartelt (Northern Illinois University), for the snazzy poster! (Full text below, too).

2020 Flyer

International Pearl-poet Society Sessions for ICMS 2020

Abstracts (max. 300 words) and a completed PIF are DUE 01 SEPTEMBER 2019

Send to:

Ashley E. Bartelt abartelt1@niu.edu

  • Form and Structure in the Cotton Nero A.x. Manuscript (Roundtable)

Beyond tightly structured narratives and precise poetics, Cotton Nero A.x. contains diverse material from 12 illustrations and marginalia to ornate initials. Recent scientific and technological advancements from pigment analyses to multispectral imaging have begun to reframe our understanding of these paleographic details. Building on analyses from scholars like Murray McGillivray and Christina Duffy (2017) and Piotr Spyra (2014), this session invites participants to reconsider the connection between the intricate paleographic and narrative forms of this dynamic manuscript.

  • “In aventure þer mervayles meven”: The Mystical Tradition in the Pearl-poet and Analogues

In Pearl, struggles to comprehend and accept the ineffable, torn by his overwhelming grief and attachment to the material world. This tension recurs throughout the Pearl-poet’s works and has fascinated scholars from Nicholas Watson (1995) to Cecilia A. Hatt (2015) as they explore the poet’s relationship to, and understanding of, the Church. Renewed critical attention to movements like the medieval mystics calls for a reexamination of the poet’s other religious influences, so this session will explore the intersection of the mystical tradition and the works of the Pearl-poet and analogues.

  • The Pearl-poet: Modern Connections, Adaptations, and Evolutions

As one of the more prominent poets from the fourteenth century, the Pearl-poet continues to captivate audiences with his nuanced and timeless narratives, inspiring centuries of writers and artists. This session will explore the resonances and continued relevance of this prominent poet’s work in modern renderings, films, stage productions, and other media.

  • Acceptance and Resistance: Emotional Tension in the Pearl-poet

From a distraught Dreamer and a wrathful, anthropomorphized God to a petulant prophet, the Pearl-poet’s characters are often complex figures struggling not just in morally complex situations but also with tumultuous emotions. Some find peace with their experiences while others remain besieged by or succumb to their inner demons. This session will delve into how the poet’s complex characters resolve or resist their deep emotional turmoil.

  • The Final Frontier: Embodied Space in the Works of the Pearl-poet

The Wilderness of Wirral, a green woodbine, a bejeweled stream, the Green Chapel. Well-known for intricate spatial descriptions, the Pearl-poet often uses these locations as the focal points of significant human experiences, forging an intimate connection between mental and physical environment. This session will explore the spaces and places in the Pearl-poet’s works and what they reveal about the characters who inhabit them.

  • Aint’s Misbehaving: Medieval English Women Who Do Good Work by Nefarious Means

This panel is co-sponsored with the Medieval Association of the Midwest (MAM), and proposals should be submitted to their contact, Alison Langdon. For more information, including the official CFP, see the MAM website https://mmaotm.wildapricot.org

International Pearl-poet Society ICMS 2019 Sessions

This promises to be an excellent year for the Society at the International Congress on Medieval Studies at Western Michigan University. We have five very exciting panels scheduled for Kalamazoo next May. Please do keep in mind that the IPpS Business Meeting is held at 12.00 PM on the Saturday (May 11). We will elect a new Vice-President and plan our proposed sessions for the 55th ICMS in 2020.

 

Is there a class in this text? Teaching the Gawain-poet (Roundtable)

Chair: B.S.W. Barootes (Pontifical Institute of Mediæval Studies)

 

“The Pearl-poet and Non-Conformist Religious Ideas in the First Year Seminar”

Felisa Baynes-Ross (Yale University)

 

“Playing the Manuscript: Teaching the Games of Sir Gawain and the Green Knight

Julie Nelson Couch (Texas Tech University) & Kimberly Bell (Sam Houston State University)

 

“An Intertextual Approach to Courtliness and the Divine in Pearl

Amber Dunai (Texas A&M University—Central Texas)

 

“Defamiliarizing the Pearl-poet: Rejecting Translation and Broadening the Course”

Stephen D. Powell (University of Guelph)

 

“Teaching Sir Gawain and the Green Knight in the Context of Rhetorical and Linguistic Traditions of the Middle Ages”

Scott Troyan (University of Wisconsin—Madison)

 

Gender and Engendering in the Works of the Pearl-poet

Chair: Kimberly Jack (Athens State University)

 

“Nurturing Fathers and Supportive Authorities: Reconsidering Paternal Affection in the Pearl-poet’s Works”

Ashley E. Bartelt (Northern Illinois University)

 

“Untying and Re-tying the ‘Endles Knot’: Retroactively Reading Sir Gawain and the Green Knight as a Woman’s Narrative”

Jonathan Juilfs (Redeemer University College)

 

“‘He Said, She Said,’ He Said: Gendered Dialogue in Pearl and Sir Gawain and the Green Knight”

Florence Newman (Towson University)

 

“The Emotional Intelligence of Pearl: Purging the Jeweler of his Gendered Irrationality?”

William M. Storm (Eastern University)

 

Visual Rhetoric in the Works of the Pearl-poet I: New Frontiers

Chair: Denise A. Stodola (Kettering University)

 

“The Green Knight Without the Green: Re-Investigating the Multispectral Illustrations of MS Cotton Nero A.x art. 3”

Matthew R. Higgins (Georgia State University)

 

“Visible Thoughts: The Spontaneous Gesture and Imaging Identity in the Pearl-Poems”

Misho Ishikawa (UCLA)

 

“Peripheral Vision: Choreographing Description through Dance in Sir Gawain and the Green Knight

Clint Morrison, Jr. (Ohio State University)

 

“Crashing by Dasein: Neurorhetoric Supplying the Vision for “Being There” at the Green Chapel”

Scott Troyan (University of Wisconsin—Madison)

 

Visual Rhetoric II: Looking Closer

Chair: Julie Nelson Couch (Texas Tech University)

 

“Spaces for Seeing: Sight as a Function of Moral Space in the Works of the Pearl-Poet”

Andrew Bell (University of Connecticut)

 

“Inside the Whale and Outside the Ark: Reconsidering Enclosure in Patience and Cleanness

David K. Coley (Simon Fraser University)

 

“Visual Rhetoric and Argumentation in Pearl

Denise A. Stodola (Kettering University)

 

Of schyr goulez: Red as Complement to Green in Sir Gawain and the Green Knight

Witt Womack (Independent scholar; University of Leeds)

 

Fifty Shades of Green: Hagiography and Demonology in the Pearl-poet Corpus

Chair: Ashley E. Bartelt (Northern Illinois University)

 

“Confessing to Fairies”

Richard Firth Green (Ohio State University)

 

“Romance in St. Erkenwald: Blending the Pagan Past and Christian Present”

Jenna Schoen (Columbia University)

Cleanness Cotton Nero A.x fol 56

London, British Library, MS Cotton Nero A.x (art. 3), fol. 56r