CfP: Int’l Pearl-poet Societ @ ICMS 2020

The International Pearl-poet Society once again has a strong presence at the International Congress on Medieval Studies, with five sponsored sessions at the 2020 gathering at Western Michigan University in Kalamazoo. We’re also proud to once again be co-sponsoring a session with the Medieval Association of the Midwest (MAM).

Thanks to our new VP, Ashley Bartelt (Northern Illinois University), for the snazzy poster! (Full text below, too).

2020 Flyer

International Pearl-poet Society Sessions for ICMS 2020

Abstracts (max. 300 words) and a completed PIF are DUE 01 SEPTEMBER 2019

Send to:

Ashley E. Bartelt abartelt1@niu.edu

  • Form and Structure in the Cotton Nero A.x. Manuscript (Roundtable)

Beyond tightly structured narratives and precise poetics, Cotton Nero A.x. contains diverse material from 12 illustrations and marginalia to ornate initials. Recent scientific and technological advancements from pigment analyses to multispectral imaging have begun to reframe our understanding of these paleographic details. Building on analyses from scholars like Murray McGillivray and Christina Duffy (2017) and Piotr Spyra (2014), this session invites participants to reconsider the connection between the intricate paleographic and narrative forms of this dynamic manuscript.

  • “In aventure þer mervayles meven”: The Mystical Tradition in the Pearl-poet and Analogues

In Pearl, struggles to comprehend and accept the ineffable, torn by his overwhelming grief and attachment to the material world. This tension recurs throughout the Pearl-poet’s works and has fascinated scholars from Nicholas Watson (1995) to Cecilia A. Hatt (2015) as they explore the poet’s relationship to, and understanding of, the Church. Renewed critical attention to movements like the medieval mystics calls for a reexamination of the poet’s other religious influences, so this session will explore the intersection of the mystical tradition and the works of the Pearl-poet and analogues.

  • The Pearl-poet: Modern Connections, Adaptations, and Evolutions

As one of the more prominent poets from the fourteenth century, the Pearl-poet continues to captivate audiences with his nuanced and timeless narratives, inspiring centuries of writers and artists. This session will explore the resonances and continued relevance of this prominent poet’s work in modern renderings, films, stage productions, and other media.

  • Acceptance and Resistance: Emotional Tension in the Pearl-poet

From a distraught Dreamer and a wrathful, anthropomorphized God to a petulant prophet, the Pearl-poet’s characters are often complex figures struggling not just in morally complex situations but also with tumultuous emotions. Some find peace with their experiences while others remain besieged by or succumb to their inner demons. This session will delve into how the poet’s complex characters resolve or resist their deep emotional turmoil.

  • The Final Frontier: Embodied Space in the Works of the Pearl-poet

The Wilderness of Wirral, a green woodbine, a bejeweled stream, the Green Chapel. Well-known for intricate spatial descriptions, the Pearl-poet often uses these locations as the focal points of significant human experiences, forging an intimate connection between mental and physical environment. This session will explore the spaces and places in the Pearl-poet’s works and what they reveal about the characters who inhabit them.

  • Aint’s Misbehaving: Medieval English Women Who Do Good Work by Nefarious Means

This panel is co-sponsored with the Medieval Association of the Midwest (MAM), and proposals should be submitted to their contact, Alison Langdon. For more information, including the official CFP, see the MAM website https://mmaotm.wildapricot.org

International Pearl-poet Society ICMS 2019 Sessions

This promises to be an excellent year for the Society at the International Congress on Medieval Studies at Western Michigan University. We have five very exciting panels scheduled for Kalamazoo next May. Please do keep in mind that the IPpS Business Meeting is held at 12.00 PM on the Saturday (May 11). We will elect a new Vice-President and plan our proposed sessions for the 55th ICMS in 2020.

 

Is there a class in this text? Teaching the Gawain-poet (Roundtable)

Chair: B.S.W. Barootes (Pontifical Institute of Mediæval Studies)

 

“The Pearl-poet and Non-Conformist Religious Ideas in the First Year Seminar”

Felisa Baynes-Ross (Yale University)

 

“Playing the Manuscript: Teaching the Games of Sir Gawain and the Green Knight

Julie Nelson Couch (Texas Tech University) & Kimberly Bell (Sam Houston State University)

 

“An Intertextual Approach to Courtliness and the Divine in Pearl

Amber Dunai (Texas A&M University—Central Texas)

 

“Defamiliarizing the Pearl-poet: Rejecting Translation and Broadening the Course”

Stephen D. Powell (University of Guelph)

 

“Teaching Sir Gawain and the Green Knight in the Context of Rhetorical and Linguistic Traditions of the Middle Ages”

Scott Troyan (University of Wisconsin—Madison)

 

Gender and Engendering in the Works of the Pearl-poet

Chair: Kimberly Jack (Athens State University)

 

“Nurturing Fathers and Supportive Authorities: Reconsidering Paternal Affection in the Pearl-poet’s Works”

Ashley E. Bartelt (Northern Illinois University)

 

“Untying and Re-tying the ‘Endles Knot’: Retroactively Reading Sir Gawain and the Green Knight as a Woman’s Narrative”

Jonathan Juilfs (Redeemer University College)

 

“‘He Said, She Said,’ He Said: Gendered Dialogue in Pearl and Sir Gawain and the Green Knight”

Florence Newman (Towson University)

 

“The Emotional Intelligence of Pearl: Purging the Jeweler of his Gendered Irrationality?”

William M. Storm (Eastern University)

 

Visual Rhetoric in the Works of the Pearl-poet I: New Frontiers

Chair: Denise A. Stodola (Kettering University)

 

“The Green Knight Without the Green: Re-Investigating the Multispectral Illustrations of MS Cotton Nero A.x art. 3”

Matthew R. Higgins (Georgia State University)

 

“Visible Thoughts: The Spontaneous Gesture and Imaging Identity in the Pearl-Poems”

Misho Ishikawa (UCLA)

 

“Peripheral Vision: Choreographing Description through Dance in Sir Gawain and the Green Knight

Clint Morrison, Jr. (Ohio State University)

 

“Crashing by Dasein: Neurorhetoric Supplying the Vision for “Being There” at the Green Chapel”

Scott Troyan (University of Wisconsin—Madison)

 

Visual Rhetoric II: Looking Closer

Chair: Julie Nelson Couch (Texas Tech University)

 

“Spaces for Seeing: Sight as a Function of Moral Space in the Works of the Pearl-Poet”

Andrew Bell (University of Connecticut)

 

“Inside the Whale and Outside the Ark: Reconsidering Enclosure in Patience and Cleanness

David K. Coley (Simon Fraser University)

 

“Visual Rhetoric and Argumentation in Pearl

Denise A. Stodola (Kettering University)

 

Of schyr goulez: Red as Complement to Green in Sir Gawain and the Green Knight

Witt Womack (Independent scholar; University of Leeds)

 

Fifty Shades of Green: Hagiography and Demonology in the Pearl-poet Corpus

Chair: Ashley E. Bartelt (Northern Illinois University)

 

“Confessing to Fairies”

Richard Firth Green (Ohio State University)

 

“Romance in St. Erkenwald: Blending the Pagan Past and Christian Present”

Jenna Schoen (Columbia University)

Cleanness Cotton Nero A.x fol 56

London, British Library, MS Cotton Nero A.x (art. 3), fol. 56r